wchs cd2

WCHS DVD 02 Escuta so Essa!

https://www.youtube.com/watch?v=osy96oqZHOc&list=PLAsfwpIbzyJpi3ml6Onq893qhqf2oiQ4x&index=45

make sure that you have a life you haven't just popular books this instance

and I mean you have like a lifetime of very rich and rewarding experiences right and frankly every time you open your mouth you tell a story unless you're giving a list of facts and that's not much of a conversation right as anyone do you have any kind of follow up from this morning anything just say well I think the basic rules from this morning were thinking just let us have come out

be aware of the layer of market to go through and be willing to go through that initially and know that your stories clean up very well afterwards hopefully all noticed a lot of you are starting to mention things like it's getting easier stores are getting better and so on that's basically you coming up that storytelling muscle which will be doing for us today and then that's right yeah and we're gonna be focusing on personal

stories on the stories we tell but I think it would be nice my friend steve was like a networking event and I asked him why did he said account and the way he said it to me and told me that he wasn't very thrilled about that aspect he didn't feel that what his work was particularly exciting or interesting so over time I got talking to the bit more and ask him a few questions about

who your client's well he's based in Brighton Brighton is very creative and it turns out of his clients and musicians and bands so I asked him are you know so you got some famous name client's is like a couple of bands only heard of them but you know what really excites me is the is the New Balance the guys who've you know they've been putting the effort in years and years and finally they've got a break that got a recording contract that go on record

in the charts and suddenly they they they start getting the office in the money starts coming in and unless they're prepared for that you know they can spend it all on the wrong things so I said Steve so you're telling me is that you helped teach rock stars prepare for financial success smiled ok yeah I know what you did you send this way of framing what we do and

finding the positive finding the passion the excitement the spin and the thin line between spinning and spinning so when things weren't going to get used to know is how to appreciate the stories you don't think you have more so that when you start recognizing the value what you have other people can see that more clearly also the best way to do that is still within I should say thank you

yeah and you can help each other in this context because that's your hearing each other stories it might help the person who's telling the story if you reflectback to them only that which works only joy that which you enjoy at a very important point because I W feedback attention goes and DFLers your feedback what you want to have more of the one thing that you want to have less off she unfortunately now world's best in school where they do the feedback on all things

you do well red mark red mark changes to this to the other that really work for you did it right now we're only interested in putting attention on those elements of a people already doing that are already working on building a foundation so if you find an element of you know somebody's story particularly moves orsomething in the way they perform it engages he will make you laugh or just

stands out for you then give them the feedback that you know I really enjoyed a story about how he went from boring accountant to preparing a rockstar success as a real nice way of seeing the whole thing differently it's kind of an example of what I call who I am story ok and if you think about the story that I told right at the beginning that's who I am story I wanted to share something with you and in doing so you learn a whole load of

things about me some of which I have no clue but there were other things that were intentional I often tell stories about my family because my family isreally important to me and I want people to know that many different types as you can tell when we come to think of it more important ones I'm gonna start with probably the easiest category and we will be familiar with many of you who have been the last eight days stories we're going to focus on right now is

very simple ones the ones that have some form of strong emotion involved you can be strong negative emotions as well as positive ones for moment though just for the fun of it let's take two relatively positive events will help you to find the golden more easily although both will be available here in time so we're thinking about you know what are you most excited did you fall in love when we most scared in a good way

what charmed you in a way that you still haven't forgotten there are a whole bunch of emotions and experiences states of mind that a useful for you to be able to elicit in the people who speak to and the secret is not to say well you know if you really excited very excited it's really exciting story for you which is the way that the country's mind tells stories what more do recall being very excited and sharing the events so that in inviting those people into your brave

new world they get to feel the excitement that you did to some degree anyway and we should worry we're gonna do this is going to just start off you've already practiced mingling today and i'd like you to take a minute in Pasig two minutes to each share a story about some experience that you had which in which you felt a strong emotion and once you've told that story for a minute and of course heard yours in return for the other person you probably noticed

something interesting happening have you noticed when someone tells your story especially meaningful to them it makes you think of another source I call it reminds me of a story that whatever that story is that you've been reminded of it will just make it easier for you to think of the next one that your share when you change partners right to your use each partner sounding board she realized what the next story will be without haven't sold it yet our

intention over the course of the week this weekend is that you generate lots and lots and lots of different stories and experiences this is why we've been practicing the whole discarding remember discarding and we say discarding doesn't mean that you forget about them forever just means you get asked them you can have one story another story another story just find them wherever they happen to rise one of

the things that I find handy as I'm working on stories and in order to remember them is I give I give the story and so like you know the crazy cat story something easy to remember funny say that cuz I did some crazy different media stories always revolve around some person object thing event and just by seeing that in my mind's eye I remove the whole story you know if you want to think of snow white you could

have two white girls we could think of a an apple with a piece missing and let me just reminds of the whole story it's kind of like you could create a house or a room in a house and have a whole set of drawers and just those pictures and images something might explore and something for the moment that's just ask waxing lyrical about who kind of crazy events really all that's required right now did you guys were to stand up and start chatting to each other in about a

minute each telling an emotional story and then move on to someone else right hand up if you told at least one story in that hole and exercises at least 11 + and up if you trust sold at least two stories in the whole exercise alright three kinds of going down now for writing on hand for well be the lobby the new gold the Olympic storytelling championship so here we have silver and bronze lining up but gold I think anybody's 44 golden we

1/2 to 4 moment is to put things down I would like you to begin to think about a place to try a formality these wanted to take up would be your home could you have many different locations you have your kitchen bathroom some kind of hallway from you have some kind of living area bedroom too many many more rooms in this particular home but those are the typical things do you expect to find a likely to choose those rooms one

particular room you are quite familiar with the kitchen bedroom bathroom and I would like for you to take a mental inventory of this room so for example if this were a kitchen have a refrigerator and there it took in sync with the tab you no doubt have a set of pots and pans in drawer somewhere or may be sending out you have intentions we have a drawer full of nice maybe the knives are a special board that you can come in and out of most people have cutlery drawer

have drawers with the dishes go glasses different kinds of glasses some people who enjoy drinking wine for example might have a wine rack you might have something different like for you to take inventory of the space if you're thinking about whether it's the kitchen or somewhere else and fined ten such locations that I will be easy for you to recall and then walk around them in

sequence if you started afraid of course right next to fridge would be thefreezer maybe the dryer range that might be a tabletop next that might be saying that might be something else is mentally just take a tour from one logical step together until you've collected 10 locations that are quite distinct from each other triangles and variety into it

I want to Chinatown locations he take a little tour of all those ten in a particular sequence repeat the sequence maybe two or three times you're sure you take the same path around this particular room every time you take the time to do that there's no hurry will wait here quite comfortably until you complete sequence found ten locations a little different each time I run through them three or four times now I know you're ready to continue for the next

step because your eyes were open what's he done all that but there's no hurry for it right now just enjoy recalling the features of this particular room in this particular way through it three or four times they get up your eyes look up front assistance with Mike's work around please that Mike Martin its red light on the batteries many changing we have most of

you back now and just fine for the last couple of people make their way back was shelled out about the room there were there were in a different location that they found the kind of journey they they took anyone visits the interactive portion thank you thank you start off the bedroom and so it's just one big room with this stuff everywhere a lot of different stuff on the walls yes yes well organized over like that

well organized is good for this wonderful papers right right piece of plywood with computers fantastic genealogy books thanks very good may pull their second if you're not actually look at Pamela right now you probably missing it describing this point us with attention but you'll enjoy that I know if you want to install from it doesn't matter to me then its next to the TV side and

things to hear what he said and then the journal and then if you enjoy about this because I special place and I think that's life right and then it's my houseand too many shoes so would you say that Camrys in her memory right now very funny located one of the things our brains to the best is store locations right that's one of the things they're trained to or have been predisposes because otherwise which had lost in next

to no time everywhere right so how does next example of demonstrating thank you don't have to just as I went around the room twice I remember things to remember the first time you starting any extra details it's got along right and you can you can you can skip them it doesn't matter the point is at the end of thewhole process do you have a clear route of some ten locations around ya are sitting room

purposes piano yeah very nice maple you briefly once again do you see how she's stepping into memory very fully there will be very important to us moment and then the doorway there was a nice stand with some drawers and television on top of that and in front of that it was a little storage cabinet where my son has two kids under the

window and there is a bookcase with glass doors on top of the book case I have my whole collection and Arthur has his collection of special science books and as you come around the room we have a table and allow another sitting chair coming around there in the fields of fire place with a fireplace insert theirordering it now write music stand on the wall wonderful coming around there's a magazine rack but you have the makings

of an incredible story teller I now have several occasions excellent now that everyone have one room with a similar sort of familiarity that these two people are just talked about yes that is what we do and then I'll give special instructions in a moment to moment will do the same thing again we'll sit down woman to go through the room but before we do that I would like for you to think about the two three or so stories he told just now to exercise and I like you

to select from those two or three stories one element that encapsulates it for you it could be the title as Robin was saying I need you to be something I can see for example a person goes in there may be addressed a particular way maybe it's located somewhere for example if I think of a story about him my law firm and I just think of the front doors of the law firm term I made all this is one of the stories about right for you then I would recommend that there were

however you remember things sounds that were for military or through feelings or a touch of feeling a particular object that you select something like that one simple sense that encapsulates the story for you if you think of one insulating of the other can you do that right now yeah I just go through the three-story he told and select some portion of that that epitomizes that the

ghost or something unique about that story when you think of that particular object event person whatever that story reminded that he's you do it you've done that you might as well close your eyes again and falling journey will be really easy for you because you want to look at yourself back in the room that you thought about a moment ago just a few moments to reorient itself as quickly as it through those ten locations where it

starts with a second point that point for point 56 you have to remember the number of course I just remember that there in a sequence and eventually get to the translocation we've done that I would like him back the first location and really rethink about that place we have a look at it and consider yourfirst story and that item person icon Audrey reminder that first story and if somewhat you take a photograph of it or cardboard cutout and stick it out first

location will look like it's an odd image to have in your bedroom living room kitchen whatever but consider that and then move on to the second location the one that right after and do the same with your second story whatever the thought image idea person icon really symbolizes that story for you getting quite a mental cardboard cutout that you would stick then just look at that scene being lured you know

you can see proposing top of each other so i connect the two there's a touching story of course you can do it a third time when the third location not message have had all the stories covered as well I guess really mentally given again go the third location and notice how the pictures there is a second location location just be sure to cause the first again hope there it is again second location

yep that's law but there it is publication more time when you ready to come back we found a relatively easy to do very quickly and the Middle East and the room right now it's even less than three stories like that in in the right order you agree that easy right now we're going through a process of generating many stories of the next hour so each time a story comes out we may call me ask you for you to to put one

side discarded go to another store and so on but what we're really saying is find something within the story that is unique picture item some kind of Nikon and stick on the next location and met rehearse all the one that came before the point when the change completely forgot about it news story you'll do that there are question so you're doing you're repeating did you get to repeat the same process that you did so you right now

you mention your room but the first location in kind of thought about whatever the icon was there a second location for Nikon there you've got a 33 did it with their location where you have at least seven other location if not more so if you're telling stories now as we going to storytelling exercises pursued you finish that particular story to take a moment find something that I cannot for the reminder the whole story and it's a real

free stories in your in your room there think the fourth icon on the fourth location the same as he did a moment ago when you count your fifth story another icon 450 locations to get there from time to time just mentally walked through the room again just to make sure everything was supposed to be that's really it that we need to sample report I think it's time that the collected some things to you know that the rooms

with you absolutely and whichever way you choose to remember this is a good process to begin that you'll find because it happens anyway when you need a story will be there yet they tend to pop up when you need them yeah it's like that crazy cat story about the crazy cat there's guys noticedby the way you know films always have they have the title and they have nice tackle on and then there'll be another bit texaco describes and summarizes

and then there's the movie itself right one of the things that we're gonna be practicing of the next couple of days tomorrow a little more is how you tell the same story in 30 seconds howie talent in 30 minutes and the key for that is is working out what's the what's the tagline of this is this is a movie what would the tagline be that's how I do it one of the simplest examples of other title that's also the tag line snakes on a plane

about going fishing I think so just have to think about you know is your as you're working on your stories with the tagline for the story how could I tell this in a sentence or two sentences and there are so many different kind of stories and and structures to the stories we tell what I'd like to do for the next couple of exercises is choose one or two but say two of the stories that you just

generated to work on my fine because I'm going to introduce a couple of ideas to you about how stories are structured and the important elements that they have sothat as over again over the next couple of the next couple of hours and then the next couple of days as you continue to tell stories you can begin to the focus and pull out really essential elements of what you're telling and you'll also

find that this really helps you to remember them so if any of you guys have Joseph Campbell Joeseph Campbell wrote a book called the hero thousand faces and he looked it stories through throughout history mythologies of different cultures and more modern literature and films TV programs all the different ways that we receive stories and he showed that basically they're all the same they all

have an essential element it's the struggle of the hero through adversity to victory in trial now I should say in advance I just isn't personal inspiration of mind he I i I love his stuff he has lots of ideas but in my in my own kind of history of learning the stuff he's not somebody had a great impact on my particular way of working and if you look at his modernist there's loads of different kind of

stages and people have refined that you say so if you want to follow up and read more on the internet about this kind of thing then do I'm gonna give you the simple version the version that you can remember with five fingers or three so what's essential element of a story that allows us to connect with it the character the hero yet the hero his question for you when he said that just a little aside you think about the story of your life like when you watch a

movie ya watching James Bond movie that henchmen who gets bumped off in the first act guess what he was the hero of his own story to nobody thinks about the Frenchman's family everyone is the hero of their own stories and you know if you read a lot of you watch movies often do you find that the the really believable characters to believe all stories are the ones in which even though you know where we're being we're being federal I know disguised here in this case the

villain the best stories recognize the fact that that villain is the hero in his own story and your story needs a hero or heroine and that doesn't always have to be a human being it can be an animal puppy like a puppy it could be community or tribe or nation it could be a car butyour your hero is that character with which we identify and relate aristotle wrote two and a half thousand years maybe not quite that long yet about it

he wrote that the purpose of drama the purpose of tragedy was that was that the audience experience a catharsis by seeing their story told through on the stage by identifying with here and they got to have a release in a catharsis through that experience so number one you're from he wrote the second the second element that i'm gonna introduce and it is perhaps not quite as obvious when asked about his passion

and more specifically where is your passion for the story in this story what's the thing about this story that touches your heart and makes you feel hero passion what else do we need a challenge or problem yes the journey the struggle the antagonist school at the antagonist and again the antagonist can be a person it can be a situation it could be the weather or a mountain or your own in it could be you know your own internal blockage or bacteria but

there has to be something for the hero to strive against right sci-fi hero passion antagonist what's next redemption ok thank you struggle thank you yes some sort of routine ok I try to enlist ok yet the best friend yeah I turning moment ok this is this is a great stuff thankyou and outcome thank you yeah i learning yeah thank you

a mental ok what else I won't lie I like the the tight right angle it was it yeah I hadn't heard that before but it reminds me of a story no my friend and I were used to be an actor and I gave up a while ago but my friends are still actors and we were we were standing around outside a pub one night and my friend was he's a he's a really big chap he's he's got scars on his cheeks he looks a bit beefier and he was he was

basically moaning that he only get got cast as basically thugs or the cuddly tap but mainly that sucks and our other friend he was he was starting to his color dark hair basically he looks like he's either an Italian gangster replacement and that's how he gets cast but you'd be they'd decided I was not good looking enough to be the hero so I would be best friend of hero gets killed half way through movie

yeah thanks ross also those are great ideas and to sum up I think I propose in this simple model we have hero passion antagonists awareness awareness this would be the Epiphany the the moment of change the realization the discovery of this is how I'm gonna solve this problem it's the life that gets turned on that makes is that are hard moment that leads to 5 transformation how the person the situation the issue is resolved as a result of that moment of awareness so we

have our own personal passion for the story we have the hero in the story with whom we identify with we have the antagonist the struggle that we're faced with we have the realization the Epiphany the awareness that transforms that enables us to transform and move through the situation is that clear so I'd like to take those two of those stories that you were telling earlier

and bear in mind these generalizations these are all these boxes that were fitting reality into not the other way around and just have a moment in pairs to reflect on the five different elements how do how do those five different elements map into those two stories that make sense to just simply you note on this story yet just can't discuss with them that he would tell the story of what we make the hero where would be the antagonist where's how do

you feel about this story that it makes you want to tell in the first place how well pointed awareness come that lets you store content and how have things changed the result of everything the transformation and discuss those things a little bit so that we can take the next up in the moment and take about five minutes each other through that so deeply about how it works and more ok

some usual food for thought that right enjoying the accommodations you havin so now that you've had some ideas around these five elements of the story time you actually did them so find someone else and you haven't spoken to yes we haven't had a story with yet and retailer ten-story this is it's a dream it's a piece by piece so you got three times as long to tell the same story but you get to do a little bit more on each of these five point he said you guys

find a partner ok guys so have I got a story for the second time around you much better much easier faster and down as you were explaining what you did with the five elements are thinking stories I just didn't have anything the other points in it so retailing they were there after all ok great thank you everyone get ya so can I just ask further questions so it when you when you had your little coaching thing we did that help to find

what those elements that might become a parent about the antagonist actually was in the story that I didn't think existed before hand right after we told you know we tell stories unconsciously don't we all the time and often they don't have simple things like a beginning middle and end because we're just starting and where relating to experience some of those some of our stories have those things

explicitly but they're they're always there implicitly and part of the idea of giving you the simple structures is to is to just really tired and in focus your storytelling ability they pat that extra punch and keep the winners and transformation power was probably missing the first time holders the story kind of disappointed at having their in the picture meant that they could have been a conclusion to draw

was thinking now as a storyteller how much more satisfying was telling that story second time around with the conclusion that the awareness and transformation brings significant like this fading out like going and yeah right excellent thank you whether you actually I mean Austin Austin stories how the plane to her guns that you have a choice about when your explicit about that your

latest quite often I tell stories and I don't tell you what the point is that when I was telling my story before we did the exercise I had a bunch of mine who the hero was but the passion was the target is all that it would be told that the second time I had a hard time for Dr ok well in my hero is the other person hero is kinda ambiguous at that point and so I kinda thought that was kind of fun we think about it that it could have been either way and how those lines are

kind of water and you know you just found one of the secrets of storytelling the great storytellers don't have like crap out of thousands stories and runners more because we hang out with these people the manager of a store like five or ten stories but they we tell them different each time depending on what is necessary the time people you think he's Ericsson famous abbot of course may or may not know

but they accused him of making up his case studies because every time he told the same story again it would be different and it's always obviously making it up for all he's doing is is is taking a bit of artistic license to emphasize elements of the story but it's gonna be applicable to the particular audience is talking to so as a very nice but to a realization live here and then I just like to respond in kind of collaboration that there are some

situations in which it's really to change is to frame it differently for example I put a few videos on my website hypnotic storytelling dot com recently about David Niven he is one of my favorite storytellers he is an English actor and gentlemen but he would always make himself the butt of the joke if you're if if your squad after telling a story that for comic effect for example the hero is actually the butt of the joke it's very useful sometimes if

that's you like if I am sometimes if I'm delivering forward to deliver somefeedback to simply about what they're doing I would describe a situation in the story but I'll make sure I'm the loser or I'm the guy who have to learn the lesson and because I'm not because that means I'm not preaching I'm learning the lesson and they can choose to learn the lesson was the summer and then we'll come over here

interesting discovery the story that was told to heroes each with their own a show but the antagonism was were there to here are some at the same intact and I'm the kind of guy away again so that the awareness and transformation with different then again there was also interesting to discover because the person who thought that I don't know what a hero here from there we got there to here and you've seen a lot of thought that exactly happens gets more complex

than but everything we've we were putting up here is not so much as a you must be this way it's just food for to assist you in making what we have become richer more more pertinent to the situation and then in time as we're going to 30 stories in a moment to the fact that you want the impact as you want so it's gonna be a little bit artificial system under control that we have and by

tweaking the emphasis points we could have a different effect and that's really where where you got that right now will you for this point we thank you it sounds like fascinating story he was very impressed indeed I found was it gives you as well as a set of coordinates if you like this deal allows users to change the emotion yet obviously things may be going through obviously very different experiences in terms of what you engendering in a

person so dare I say so OK interests like you need some clarification regarding passion what was what is your passion for tender story but I just now what is the rationale is that sometimes they'll be the same thing if if if a story is a bunch of facts wrapped up in the emotion you have to do you have to have the emotion that will carry it

the connection the heart to heart connection that you make with people when you tell the story depends on you having the heart and having passion I could tell you the story you know Tom Cruise in Top Gun for example and there would be you know passage there would be conflict and the hero would have had you know passion and all of this kind of thing but i dont have passion for that story it doesn't

move me doesn't touch my heart and really that's what I'm thinking about what I ask you to consider the passion it's how you going to be moved by this story so that you can emotionally connect with the people so you can move other people if your move by other people will be that makes sense to help clarify your question thank you send him so physically the second demonstrate the story of I can be

realized that my story with actually broken up into different stories so I could have been even more concise and indeed a story at a certain point and then started another topic altogether and that's when I realized that kinda interesting how are you if you have these five minutes you can extend and make 11 and diving with having died at home financing or even just do just that much and so how do you

decide what when is a good time doing and your story in this and keep well what I did to think about when when your story has had the impact you need it to you ended so if you could extend internal storage top of that will a second story just be attract men would at some time sending 150 little story in just a few seconds and then you're gone is the perfect time to do other times you may tell story after story after story and all the symmetry theme so much

time you have context so on but really for me the main thing is it's has it done its job and you have lots of choices about that I'd like to suggest you reflect on what I said earlier about artistry you have a conscience to the back and front and industry when he wrote more than one passion

missed it the whole thing but not just one hero and one interest and maybe more than one transformation yeah if your story is is consistent and powerful then the chances are that those different those individuals most different heroes those different antagonists and heroines have some something that unites them so that their representative of a kind of high element in the story that makes sense to make sense of the story you're thinking about in that context not

destroyed all but also the stories I heard more than one hero it did they have more than one character specifically ok well any more detail task grader sold so many stories I wanna hear down consider one other thing we have lots of character in the story of North focus on gmail chat five stories there he has five heroes you could sell the same story from five different

perspectives have a different story different emotion a different transformation each time it's the same story but not the same story of course you know I could tell you about the bombers and by here impoverishment of mind you we need my help and about you know slightly lonely fresh and need some company on stage

same story is not just told from two different points of view there is there's different at Agganis their different point the transformation their different heroes robert is quite rightly to hear his story I'm of course absolute correctly help just wonder where the catholic catch the cat the cat its own hero well it's a funny thing about the cat because I've lived in this garden flat

for a while now and I actually lived in this neighborhood is the same building for about five or six years and the last couple of years as Stuxnet is this cat around and in the last six months have been hanging around my back garden loads basically and shitting there it doesn't help that I've got basically white gravel in a large part of my my guns it looks like an extended cat litter tray but I die I love casts as much as I love puppies

but I also love song birds and frogs and hedgehogs not compatible with cats that anyway this campus hanging around right and it doesn't have a collar on and it's like it's it's a it's really skinny and it's kind of a bit manger I want my friends was round and and started like striking the cat and she was like oh my god this thing is so skinny it's practically starving did you not notice that but what are you doing how how come you're not feeding this cat with how the

story doesn't make her happy i think is it on the green ok tried a different kind of question that is my dad lots and lots of stories in the past and I don't think I ever remember as well say the people who can easily call upon many stories and the stories that I have lots of them would be interesting but I tend to forget them and move on to the future and try to forget what happened in the past some years ago I

wrote a book of stories night to remember those stories like Calif those stories just call up experience there must be some way people are different I guess in how they can remember what happened he hit a couple of things first thing is there's quote-unquote natural storytellers they tell us stories and part of their social skills part of the way that they interact with the world is through

storytelling because that's how their minds have adapted to connect with people because it's important to him hitting it constantly the constitution for more authority so it's keeping fresh tell a story it reinforces it will happen again every time you tell a story as well you're likely to change and evolve with stuff like that then your mind I need more of this stuff and ofcourse it starts becoming more sensitive to remember it yes I did the start of

the session will play a bit more than I session is way if we start collecting some stories and follow that is a model would be able to have a long list of stories of around whenever you need them but really the simplest way to reverse story is to become a storyteller and he's a promise I'll make it is an absolute from it most of those stories that you wrote the book that you should probably call

memories from the Forgotten Realms stories will easily come back here once you start telling different stories we think about it just enjoying them the fact that you're enjoying telling stories tells you you're not storytelling state restoring state your mind goes hunting for more to its part of its job and we're gonna look we have the experience of having right now until you got here is a very effective future

orientation it's it's it's a useful orientation to have for somebody who wants to get things done to the moon right so that's important the other the other side of things it's probably those those off offline loans when you're just daydreaming as you sleep and dream important things which focuses had one question here is something about what I'm hearing things that seem really relating to an example is i find a lot of musicians to work

with town they'll start singing but the more they sing it the more the focus on the technical side they say this slowly diminish content and so myself too so hard my dream house learning how to play bring them back as I'm playing some echoes of that other people saying we're talking about you

were saying it's your emotional content that you initiate the story from that emotional continuity it's the song stories empty as as a musician when the music works it's because it becomes a vehicle for the emotional content right and in the process of getting there you practice scales you practice of the stuff and and what we're doing with these five different elements is its it scales and we just kind of the next the

rest of the afternoon tomorrow scales on those teams and yes absolutely the the the the power the artistry comes when you get that balance of conscious or unconscious when you when you let go of having structure I'm I'm I probably go too far the other way I my conscious mind has nothing to do with much of what happens in my life

to bring our was displeased and I just to remind cuz 'cause of my own mistakes I know how how easy it is to get contact info place in here and technical questions I'm just a reminder experience focus on the first because everything else will come out her that's weird hypnotic storytelling that's what it's all about it yes a great lesson thank you it is less probably maybe take one more question and then we need to

break so we had a question of ahead and ok waiting to arrest these go for it just realized that my story the transformation was really hard to put my finger on it it's it's a story that is very very easy very easily connect with someone who had that kind of experience and I would have a lot of trouble describing all the different layers of transformations that happened when I went through the birth of my child right would that be a good story to tell

to someone that is not have been kind of experience or it would be a better vehicle to connect with someone that already has yes but only version the unconscious version of motifs I case to tell you two stories to introduce myself one of which was about where she misses a very hey listen to stories that are over he told me the story of the frame this gave to her son and I told you a story about present that I gave my mom and I died and I really wouldn't have

understood what that windmill sitting in the living room n until I had to do it it meant that it meant that she really cares about the fact I book and the struggles of the story tell maybe for future the first is something that just came to me even musicians and is this two lines using it storyteller and the second thing I want to see how about journalists my sister

she's a journalist when she writes the stories I see things different completely that would depend on what kind of journalists I kind of paperthey're writing for partly but I think there any journalists in the room yeah I mean it's quite often the formula is is kind of like say what happened in one sentence the beginning say the same thing again in five sentences and then play it again at the end

ok who what when where and then so do you think Superman with journalists have two kinds and they could be the same person that are the pieces of legislation former you make up your own mind and their the pieces that are designed to influence you to vote one way or the other choose one party or another and so on and the one that is designed to try to influence you will follow this much

more than the one that is designed just to inform you and you can make of it what you will so migratory Randy since the future is less important point I was a journalist in the military of the military journalist in the water professional it was at that point there is a distinction as you just brought out is between fact which would be journalism in a way of making a

commentary which is a narrative narratives and it occurs to me that the the elements or the structure of anarrative story which is what we're talking about typically as the two points that plot point 1320 in the beginning this story very small part the beginning we introduce the mirror the protectionist we making ruble rouble means we like to establish rapport there's something

about him that like we see is for you know which makes him even more likable and then as he's going longer seeing little bit of life and then something happens where he's going one way and then one of them and he's going down a different way much faster and then two or three things happen released challenged his successors challenge to resume his survivors challenge he uses his strength to overcome them in the last challenge

which would be plot point to he's overcome by the antagonist the one who is his foil whatever it is either an individual or a challenge that four then brings him to the ultimate where his survival survival is threatened that creates the dynamic tension and then through developing the flaw stages through using their weakness becomes the strength then he overcomes the foil and the story is resolved that structure

point 1 introduction to plot point two or three things happen eventually the threat in the end resolution that seems to be the structure that you're you're you're teaching us and that would be the distinction between a journalistic what randy is giving me there is again and that in itself is a concise and condensed version of the very elaborate set of journey points that Joseph

Campbell talks about right thank you I think it's time for a break when you go to your break I'd like you to mingle as you will I'm sure and we're looking at another classic story now we've done emotional stories elicitation stories I want you to think about your who I am stories and examples that I gave the beginning of the day let's make it simple give you a simple process think of something that's important to

family a hobby career a place anything to talk about that fifteen minutes that the back in the room in 10 2005 to thank you very much thank you

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