igor cd11-5

welcome to this bonus CD entitled

top-secret breaking the hypnotic storytellers code on this CD we're going to take the induction that you heard on the other bonus CD conversational-hypnosis in action the super hypnotic storyteller induction

we're going to break that down piece by piece with analyzer language the stories inside it the structure and the trans processes that are built inside of it just so you understand fully and completely how a

complete have not I interaction can sound and how you can take all the skills and tools that you've obviously you practiced and learned and put it into a very powerful hypnotic process i hope you enjoy the content that you're

about to find out here because we're going to study this to a depth of very few hypnotists are capable off so soon as you're ready to do that just sit back relax and enjoy learning conversational hypnosis before we look at the breakdown

of the story to induction that you've just heard I want to tell you that you almost didn't receive this CD you see what we're about to do in this breakdown is going to go to so much depth and reveal so many things that i really

wasn't planning to give away this much originally the way the cds were planned was that c9 would have a short set of stories about 20 minutes in length and they would correspond directly to the things that we've been talking about on

that CD but as time went by in a group i decided to make the stories longer and more complicated to give you more of an appreciation about everything you've been learning so this breakdown is in fact top-secret in the sense that i

would not normally reveal this kind of information unless someone has been studying hypnosis and conversation notices for quite some time so really hope you enjoy and appreciate the things we'll be covering hear some of them will

be immensely in death and very specialized and we don't concern yourself about those too much because get out of these cds as much as you can do one of the reasons that i decided to pack this one so full of information and

the hypnotic storyteller induction so full of different processes so you have an example of something that you can keep coming back to over and over and over again and as your skill levels improve as your learnings increase

you'll come back and everything will be doing will seem easier and more straightforward my hope that in time you'll be able to listen through all the stories and the breakdown of those stories and save yourself

well that was easy that's kind of straightforward when this becomes totally straightforward to you then you know you've got a really high level of skill so really hope that when we go to the breakdown a moment everything I say

will seem very straightforward and matter-of-fact you if that is the case then I have done my job well and you probably been doing all your exercises so let's go straight into the first level of the breakdown of the super

hypnotic storyteller induction the first level for you to look at will be the actual stories contained within the hypnotic storyteller induction now there's five different stories five different loops that I embedded within

that construct the five stories are the example of my hypnotizing people when I first landed notices the story of junglers the improvisational theatre workshop it's the storyteller story than the golden Ram and the wise you and

finally the Martha story these are the five stories that have been embedded within the whole have not a construct now the reason I chose five stories is very specific

the reason is that i wanted to give you an example offers many different types of stories as possible you see conversational-hypnosis and the stories that you tell within that can take all kinds of different streams all

kinds of different forms I don't want to get booked into doing one particular way or another particular way because if we get stuck with one way of telling stories your expression will be limited to the first way we started

to use a simple example so remember the example I gave you was one where i first learned to use hypnosis it's a very short example now is short again for a very specific reason the specific reason is number one

it allows you to be drawn into the story little bit without being too overloading and number two it gives you an example of a short story still making an impact this is important because in conversational settings most of your

nested loops will actually believe it or not be very short stories that you throw in there a minute or two at a time so the first story was a simple example the second store in our loop was actually an anecdote it's a real experience of life

but actually a story that happened to me so the difference between one and the other is just the level of content of trying to give I could have turned the simple example of my trying to hypnotize someone doing terribly into a little

story I could describe who was there and how it was happening not going to expand on it so we've taken the seed of a simple example and we've turned it into an anecdote so has already story type forms within it the next structure that

we used is what I call a direct story when you think back to the storyteller the boy going into the market square listening to the old wise men and women telling their stories that itself has got all the hallmarks of a pure story

hopefully no one that listens to the story will think it's anything other than something that's been invented because it has been created and has all the hallmarks of a story that was invented

so you can compare that to the anecdote of experiences on blurs you'll notice that the two are very different next we also have a fairytale the fairy tale is a story of the golden Ram and the wiser you now the reason I want to

include a fairy tales because it can be again a very powerful form of storytelling one reasons that fairy tales can be so powerful is because we've all grown up listening to ferret girls so in some respect we have a kind

of conditioned response there already when we're here story that's formed in the form of a fairy tale we kind of have a little regression inside ourselves we create a kind of hypnotic experience for ourselves so a

little bit of the charm and the magic that you had as a child can come back out again notice also how this story was introduced but i was introduced the way that allowed you is an adult to take part in the story without it feeling or

in some way another way that could be introduced as if you tell those kind of fairy tales two children but you really aim the effect that the adults in the room so fairy tales can be a very powerful story device but don't get

stuck with them because you can tell many different types of stories and all of them will have very powerful effect the final story of Martha story is again an example of a direct story again it's somewhere between now the genuine story

and a made-up story the way I have to hold it it seems obvious that was made up because a made-up character the storyteller tells that particular story the thing is though because it's such a

halfway house I could quite easily turn into a genuine anecdote in other words of experiences similar to this one in my own personal experience in my own life that I could use to create the same kind of effect so wear them telling a dark

story one presenting a genuine anecdote both of them can be expanded upon to create a more have not a content so now you have a series of expansions going on the first and the most short example is the pure example that I gave the

beginning then we have a slightly longer version which is the anecdote the experience of junglers next we can have another story a direct story this time which is again rough the same length maybe a little bit longer than John

goers the next story is the fairytale the golden Ram and the wise you this one is again longer than any other proceeding stories and finally we have the experience with Martha which is the longest

of a whole lot so again you should have an example there of how you can take a simple idea small story an example of something and you can increasingly expand on it to make it as short or as long as you want

remember we said before stories can last five minutes or they can last several hours it doesn't matter which of the two it is it's your skill at storytelling that really matters now let's look at the

same story in terms of structure and sequencing the first thing we notice is that we fall followed pretty much the same structure as we talked about in terms of nested loops in other word open one story open the second story third

story for 350 story etc but there is a slight variation remember again I told you as a master level of loops you don't wanna be stuck at a rigid pattern of open-loop open-loop open another loop closed-loop closed-loop closed loop

because that's too regimented a natural conversation natural storytellers will open several loops close some open some more clothes some more and Wiles in general will follow that structure that inverted pyramid that we talked about

really it's still more free-flowing on that to give an example of this I've actually changed structure little bit on this is not extort Taylor induction and open story 1 i've heard the story to open the story three then I

ran through story for and I used story three and four is being another mini loop so open 34 then I created some suggestions then we close story for we carried on with the story three now sorry force complete 34 is a completely

formed bubble embedded within story three next we moved onto story 5 from a continuation of story three so now story 5 is taking the place of what would normally have been story for at the

middle . of story five we have the process the transfer process itself and then we come back out in reverse order 35 story three now two and one you go straight from story fire for story three because story for is already

done it already finished it's a part of a differently system so we're giving you study more colorful loop structure so you can see that you can create stories you may different ways

all that matters is that you open and closed loops in the same sequence and sometimes you can create these bubbles of stories within stories now in terms of how I sequency stories how I created them i looked at actually add story

three first of all the storyteller inside the story that's because i was inspired by the very title that hypnotic storyteller induction because it's all to do with what I'm trying to achieve here then I wanted to create an

introduction to that so it flows smoothly from a national experience history is what created the second story which is the jungler story the improvisational theater story then I want to attach it yet another story the

beginning of that to lead the way in which was the example the example there's many things and use it to the piggyback principle in order to pace and match the experience that you've been having up to that point so that it looks

you in and prepares you for the journey that is about to come now to of the stories the story of this story teller and the fairy tale of the golden Ram and the wise you both of these were totally created from fresh from scratch so i

used exactly the same processors that you learned on cd7 how to destroy resistance with stories part 1 in order to create those particular stories all i had in my mind with a sense of a theme the storyteller came first because

there's nothing going on there that I wanted to embed with inside of your mind this idea of what storytelling is about and the process you go through that the story of the golden Ram and the wise you came about because of an ambiguity that

will cover a little bit more to do with the wise you in case you haven't worked it out already the word you means a female sheep but most of my you the person listening to me it's a lovely ambiguity to be able to

use as part of the process so want to tell a story that has that ambiguity built into it as well which is what inspired me creating that particular story first two stories the example of my

using hypnosis for the first time and the example of going to storytelling workshop a drone blurs both of those have come from my own personal history my own experience and they seem to fit the themes that were beginning to evolve

naturally so far we have for the story the fifth story is actually a bit of a cheat on my account because I've taken that straight from the work of milton erickson the first time I encountered the Martha story was from my own mental

drawn over time in the middle of a seminar he presented to us and i really love story all the way through particularly because i had a personal effects of it and all things have been built into that very very clever

this was first created by milton erickson as part of its therapeutic techniques is therapeutic storytelling repertoire so I took that story i adapted it to fit the kind of content the kind of progress

and outcomes that had in mind for this particular induction sequence and I presented to you as a kind of acknowledgment of the paths of the history was all come from and particularly of past masters like Milton

Erickson so that you have an example of his work within my work and of course my variation of his work so notice how this is yet another example of how stories are living creatures which will adapt and evolve to fit the circumstances to

fit the environment that urine now had we been in the same room together a live physical environment the story would be different yes again because I would be building in different cues according to how you're responding how you're feeling

and the part of the interaction that we've had at that point what if someone had been included in that the stories are very rich and very live experiences that can be capturing the moment was the same time achieving many different

outcomes the next layer i want to look at is the one of the trance processes involved you'll find all information about to use on CD 11 conversational trance formulas how to get what you want so remember one thing I was trying to do

here is a specific outcome in mind the outcome was to help you change from someone who doesn't tell stories naturally into becoming a hypnotic storyteller that's one of the things have been involved in

hand put in the strategies and ways of thinking and all the things you need to have in order to be a natural hypnotic storyteller so i use the pcat formula for personal change in order to help you install those particular things the pcat

former is the problem confuse access resources and transform so we began by a general orientation a setting of the framework by talking about becoming a master of conversation gnosis what it does is it creates the frame the

parameters within which everything else will take place your unconscious mind will now understand the whole of the communication in terms of how can I become a master of conversational hypnosis the next step which was the

first story is all about activating the problem the problem really is going to be the people who have listened to the program going to feel somehow little bit anxious a little nervous some kind of performance anxiety that they might not

be able to come out with the words the right time when the whole thing happens so now we come on to the next stage of the pcat formula confuse want to overload the conscious mind so that we can get straight to unconscious

interactions we have two layers of confusion things going on here the first one is it talking about security and insecurity and we're using the double pump community about being in security in other words inside security

or having insecurities in other words feeling insecure in some ways the next level of confusion happens with this idea of what do we mean by mastering conversation of nurses and already we have some confusion or language going on

there which will look a little bit more at once we look at the actual language patterns within the stories so now we create a layer of confusion which also has embedded within its own suggestions like using the other mind etc the next

stage will be to begin to activate solutions so the activation of solution begins with the second story the story about junglers the improvisational theatre workshop that I attended notice again

that I'm still playing a little bit with some confusion patterns just to make sure everything kind of blends together nicely so we're talking about being right and left and left right in the middle of the

whole tuning it's already kind of mirroring the same kind of stuff between before in a lighter way to kind of season your way into a movie way gently into the next phase then we begin with an induction the first phase of

activating resources is to create an informal induction so you go inside and find resources so you have the repetition of words like inside going inside these are instructions to the unconscious mind once we have a nice

pleasant trance beginning to occur the first level of resources are activated with words like just relax take it easy let your unconscious mind do the work so notice these become emotional triggers that have been set which begins the

process of activating resources that's the first layer of resources the next their resources occurs with the storytelling there are two purposes of a story to tell a story the first one matches your experience as

the audience the person listening by talking about first of all wanting to become a storyteller so there's already an anticipation building that a solution of some sort will come the second layer is to give some hint as to the direction

where that solution will come from so we talk about the embedded suggestion listen to the story about a wiser you so the Yau story is going to have embedded within it some of the ideas of the core concept

about being a good storyteller of course later on we come back to this idea of what a good storyteller is when we find out where to get inspiration from for actual stories and there again the story of Martha helps because you find out as

well come onto the moment how you can get the inspiration or the seed of an idea that will become your stories the next story is that all the goal the ram and the wiser you this is in essence an allegory and allegories story

which matches people's experiences in this terms of the structure so that you can see for reference points on how to change yourself in this allegory I won't give away all the meanings of the different characters but essentially we

have the ram and the you of course we call the usual wiser you because it's a nice ambiguity about who we talking about we talk about your unconscious mind that's the wiser you now the gram in essence represents then your

conscious mind the one that wants to have all this is veneer of social acceptance and look good and be accepted was the wiser you knows how to really live life and enjoy things and of course all the things that happened to the ram

as a result of trying to live up to other people's expectations versus how the you resolve the actual problems create a nice analogy between the balance between the conscious and the unconscious mind there are things buried

inside there which I'm going to invite you to take your time to look through and think about and find for yourself because part of the charm of stories is that you don't get to hold what they mean you gotta find your own meaning

inside of them the beauty is your unconscious mind will find more meaning inside them that you can find consciously so once you've exhausted what do you think is all the conscious

content within these stories you'll find that your unconscious mind has even more things to find any more ways to learn about life from those things now the next thing that's happened is that we have the first series of embedded

suggestions of the actual transformational process so that is comes in the form of very direct suggestions now these direct suggestions or about the power of the unconscious mind and

the wisdom of the unconscious mind and already they parallel a lot of the things that you've learned from the story the allegory the fairy tale that preceded it so now we're pulling the lessons out

a little bit more formally or still reasonably indirectly in this setting of the language is very soft side of language the other thing that these things do is it gives your unconscious mind

instructions of where to find inspiration for stories and your consciousness the direction that you need to trust your unconscious mind in order to make up these stories and to flow naturally as a storyteller all that

is within a few short paragraphs are very direct suggestions will be more childlike of suggestions to trust the unconscious mind because it has all the resources explaining that young conscious has all the memories you've

gathered over the years because you can't remember all those things consciously so when you start trusting the unconscious of course all those resources come back to life and that's where the storytellers real photo comes

from your information your fact your skills everything is embedded inside there once that sequence has gone through we finish the story of the golden Ram and the wise you so we create a complete loop at that

point and then we come back onto the third story which is the storyteller story now that we've set the groundwork of how to become a good storyteller which is to trust your unconscious this question still comes which is what

stories do tell we've got the idea of where the skill comes from what the actual ideas come from for the stories that's what their second sequence is all about the storyteller introduces the story of

Martha now the story of Martha's many things at the same time one of the things the story of Martha does is it helps you unclutter all the internal clutter that you've had inside yourself now in

contrast to the direct suggestions embedded between story for which is all about trusting the unconscious mind the story in the Martha story the transpose is embedded in the Martha story is a very different kind of trance process is

called a parallel process so this parallel process is telling you to do certain things inside your mind but it sounds like it's part of the story so the Martha story going inside the Attic is the

equivalent of the unconscious mind going through all your memories and experiences and sorting your memories and experiences into the same three piles and piles of rubbish to get rid of those are the traumas the anxieties

fears all the bad stuff that's happened to you then you have a pile of stuff that you no longer need those are the lessons you've learned in life and they may well have come from unpleasant experiences but it's still important

lessons for you so you want to take those things and you put into another side to give away those are the gift to give to people in other word you no longer being held back by those things because they happened but you take the

learnings you move on and as you move on here that other people have a advantage of learning with you finally where the final part of the stuff that you take with you those are your current your current beliefs or conda's Eyres the

current things that you achieve in life that can be much lighter load which again is another metaphor for your technical weight off your shoulders so now we have the complete sequence including a second transformational

process seven this until this point we've been accessing resources all the way through to the end of story for because the aid resources are to just relax and take it easy trust the unconscious mind be more childlike these

are all the resources been building up when they come on to stage 5 and go through that trance process that martha has including operatic at that point you have the whole transformation taking place so you're also talking to the

unconscious and saying let's take all these other resources you've had here and apply them finally of course we go through the whole goodbye ritual letting go of the past and move on to the Future now so far we've gone through the whole

pcat formula now it's time to come back out again and do a little bit of future pacing of future memories of how these things will work out in practice the first thing that happens is a closing the fifth story and enclosing the fifth

story you're also planting the seed need of where all your stories will come from in the future where they come from of course they come from your own life lessons experiences you've had yourself those are the most powerful ways of

finding stories that affect and influence other people and the story of Martha was very nicely adapted to create that and of course the storyteller an archetype for the very thing that you will become more self reveal the answer

you've been looking for all along we've created a whole amount of tension in the terms of psychological drama has built up at that point and the release of this is where you find the stories all the other things all the other

transformations suddenly take effect then it's just a question of looking to the future about how easy things will be when you're doing all the things that we've been talking about so those are the trance processes that have been

embedded inside each of the stories and takes you through a whole journey from the beginning we have a problem through confusing your mind a little bit and allow the transfer to take part so you have confusion and trans

induction side-by-side and then you go through a whole rigmarole of building up resources building up resources building up resources until we get the point of transformation so we use the pcat formula from CD 11 as a way of

structuring the actual metaphors we've also use the same formula in essence inside the story of Martha showing you how to clear up all the clutter inside your mind by creating a metaphorical resolution so let's turn

now and look at the language has been embedded inside of this conversational hypnosis story as we look at the language i strongly recommend that you go and turn to your transcript so you can follow along piece-by-piece what

we're doing because we're really going to take apart word-by-word the things that we've been doing so that you get a real appreciation of how much has been built into would you be listening to and the easiest way to keep track of

that is to go back the transcript and then line-by-line follow-through is we break down the language into what it means and what we can do with it the language is really the meat of what makes the whole thing work and we look

at the language in terms of many different levels the three basic layer is going to look at is number one embedded suggestions number two ambiguities and some confusion tactics in order to bypass the

conscious mind and be more hypnotic number three frames and controlling frames to some extent all these things will blend together and also create certain hybrids and additional uses a language but those will be the most

common themes that we're going to look at over the course of this process the very first better suggestion starts right at the beginning and within the first sentence of the actual induction I put it in there just to remind you that

even though you're looking for it you may not normally find it to the very first better suggestion that comes out of my mouth is instructions for you to like me so how did I get this in the very first sentence was now if you're

anything like me and destruction is not if you're anything like me so notice already how are using ambiguities the word like me in a sense of comparison and the ambiguity of like me in the sense of the pleasantly

disposed towards me and using those ambiguities already allows us from the very beginning to establish a kind of context was going to happen now the next thing that happens is with setting the frame we are pre framing the entire

piece entire conversational-hypnosis storytelling interaction how do we reframe it we're talking about you're probably wondering how you can master conversational-hypnosis now i'm doing a bit of educated guesswork at

that point you wouldn't be listening to conversation notice cds particularly this far through the program unless you have a serious interest in it and if you'd like to be good at it you may as well learn to mastered but until I say

that until I remind that master is a possibility you may or may not actually thinking about that much that if I remind you of your left foot sensations of your big left toe notice how just reminding you of that is

already sending your awareness down that road you're when it's actually rests in that big left toe in the same way i'm actually sending your awareness to arrest on how you can master conversational-hypnosis i set the frame

this is now the context all the stories are going to hear all the embedded suggestions everything will refer back to this opening phrase so that was one type of pre from a very bold kind of pre frame

I've also sent another frame in a very casual sort of way that later on I talk about because my signal recognition system wasn't as good as yours i have retired my first subject perfectly and then ruined it by feeling insecure

notice how there i have presumed I pre framed that your signal recognition system is good and at least better than michael moore's when i first started to learn hypnosis i'm using that a guiding piece for your unconscious mind now you

have a standard to live up to which is one that was better than I was the subtlety within that of course is that there is an implied suggestion that is to say if you started off with better hypnotic skills and I did that means you

must be able to get as least as good a result of hypnosis as i have managed to overtime if not become better at this than I am myself so as soon as your unconscious mind accepts that as a possibility it later on can become more

of a reality because that's the frame that you're coming from the beginning to assume that there's a very real thing the next level of language is being used is all around the pun of security and insecurity of course we're playing with

that is partly the confusion or pattern to get a congressman out of the way but the other thing that we're doing is we're setting up a emotional trigger hypnotic trigger add the word insecurity in the whole

concept attached hood gets broken up inside and becomes one which is attached know it leads leads to feelings of security so we have a embedded suggestion of being in security so when you're in security already

noticed the ambiguities beginning to lead away from the original and security you will have a very dark suggestion feeling that secure so that is how we started the whole process off in and we're doing several things at the same

time it's important that you realize this because you can actually make one communication really do a lot of things simultaneously setting up the piece of work is going to come later as well as using the confusion technique little

bypass the critical factor and make the next stage on the hypnosis section now the next thing that we're using him is also an ambiguity in terms of your language later on in the same phraseology we're talking about you know

whenever you feel insecure about their skills in the future you can just go ahead right into trance that's called a run-on sentence you don't normally run that sentence through go ahead and do something is one sentence head right

into trans is a separate sentence but because that word ahead appears in both of them i can cut both sentences off in between those lines of the word head and we're putting together it jumps your mind through from one to the other and

not jump makes your consciousness again jump offline because you can't quite keep up with this going on and by the time it's caught up the true suggestion is there which is to let your other mind secure the learnings right so far we've

covered just the opening three paragraphs as the opening gambit that begins and introduces all the stories that are to follow in the fourth paragraph will begin the process of the actual induction will begin to suggest

the process that we're going to do remember the end of paragraph 3 we gave instructions to go right into trance now we're going to start again now the first thing that happens in the fourth paragraph is we're setting a subtle

frame we say i'm not sure the best places to master conversational-hypnosis now the realtor very subtle frame is now you're questioning if at all is going to be whether or not the place were beginning to master conversation of

Knossos is actually the best place where we just merely a good place so once you decide were not it's the best place you were actually still accepting the assumption the presupposition that you're going to be mastering cut the

conversation of gnosis and there is a place that you can begin doing that so regardless of whether or not you agree with me where this is the best place to do so you're actually accepting the major part of the suggestion which is

mastering it is something you can do something begin doing the next type of suggestion that would draw your attention to actually very sly it works in a very similar way to ambiguities in that it takes your conscious mind down

one path while slipping a second suggestion in and by the time you've caught up with the fact that something's changed the suggestions already present and we've already moved on consider the second sentence in the

paragraph and we're learning something authority means you've mastered it with a mastering something means you have fairly learned that there's always more to alone now notice how we've actually twisted the frames around here is the

wordplay and the implication of the creates learning thoroughly means mastery or mastering something means learning thoroughly that's a nice implication because it's a balance sentence structure that way but we're

actually going to kind of run-on sentence again in that would take that second learning and actually run through with it somewhere else so instead of saying learning thoroughly means mastery and master means learning thoroughly the

second part turns into mastering something means learning there's always more to learn so we're changing the thoroughly into a new concept and because a new concept kind of piggyback onto something you're

already expecting your doors you are mine door wide open for suggestion to flow in of course whilst mind still busy trying to catch up with that and expand the turn of events we slip in a few more ambiguous in better suggestions inside

and deeper far far deeper that's a clear instruction for you to go deeper and deeper inside it's a way of deepening the transits developing of course in order to keep your conscious man satisfied will make some logical contact

again which is than the mere technical details so it sounds like a normal sentence when spoken in a normal flow you know you learn something thoroughly inside and deeper far deeper than mere technical details can take you to the

sound like a normal sentence but when you change the timing the pauses instructions are very clear and it becomes again ambiguous as to which set of instructions i'm trying to create inside and deeper far far deeper than

mere technical details same wording same phrasing but this time the pauses have added implications and meaning and this is very important for you to start to learn how your pauses when you hesitate and when you run through with something

I can lead the mind one direction open the doorway for you to add other things and go in a different direction so your unconscious mind response before your consciousness has had a time to catch up at this dais let me just say that

there's still a lot more built into that one paragraph alone and I want you to take time to start thinking about the other things you can find for example at the end of the fourth paragraph we have the phrase so where better to begin to

look at how to master this art again notice how we've created a pre frame there by asking that question I've actually set the agenda set the frame up because I drawing attention to it exactly the same way as drawing

attention to a big left toe a while ago so notice what will be skimming through the highlights of each of the different paragraphs trying to tease out the things of interest as I start talking about certain concept i'll not repeat

them again so that you can find them for yourself and I prefer to start pointing out newer staff as we go along the next paragraph fifth paragraph on first glance might look just like a setup

piece to be able to tell the whole story but really we're actually have a few things embedded there already the first that are embedded is the idea of the whole solution to storytelling and storytelling induction which is

gonna make it all up you have to be able to just do it live in the moment come prepared and just deal with interaction live as it is this is what the key secret to mastering conversation of gnosis is revealed to write the

beginning where I said that all right the beginning we talk about the second sentence ready how can improve all actors have to come unprepared and again slight emphasis slightly different emphasis on half the

command prepared has created an embedded suggestion you'll notice then that by that subtle to you alone have different levels of embedded suggestions have the very obvious ones like you end deeper and

deeper so that those pauses are very obvious ways for me to mark out suggestions but they're more subtle ways we have done here so that you just turn up and you have to come unprepared so there's a much subtler way of putting

the suggestion out now in case the unconscious mind didn't get the hint the first time we're going to back up our suggestions as we've talked about before so two sentences later we talk about when the action begins you have to make

it all up right there on the spot there is another better suggestions you have to make it all up right there on the spot that's an embedded suggestion and instruction on how to do conversation gnosis because ultimately the

conversation element means you cannot pre-plan too much of it you can't prepare you can memorize a whole induction sequence because you have to make it a part of a live interaction we've got to make it up right there on

the spot paragraph 6 is very interesting because it is the first time we're going to the official induction we've seeded the idea with plant the seed earlier on in power graphs for and paragraphs 3 but now

we're actually going to go through it a few different times and actually go full induction you'll notice that is done purely through a better suggestion the word inside go inside inside is repeated over and over again and the repetition

really stands out for the unconscious mind and you have your own experience and judged by how much that helped you go into a trance and the fact is of course you'll be deep in the process of going into trance throughout the story

induction however this the point that marks the beginning of the more overtly hypnotic processes now some other things are they're embedded as well for example the embedded suggestion for blinking your

eyes this is something which is very useful particular live context because you hold that little phrase back and as we go inside stark and we have to blink our eyes to adjust the light you can time

that to the actual blink mechanism that someone else is making so now we have again a dual-layer induction because you're using an actual physiological phenomenon in their experience usually outside the conscious awareness and

you're feeling the back into the system as you feed it back into the system it has the same effect as a piggyback suggestion which you learned all about on the authority strategy now the final thing that you'll discover on paragraph

6 which is of importance here is that we're creating another pre frame it's a very subtle pre frame because this time it's through an embedded suggestion the better suggestion of the last one that paragraph which is this is where we'll

be doing all work together so this again sets the scene now that we've created this internal reality this trance process the trance is what we'll be doing all our work together notice that this is not just a random

suggestion it comes specifically at the end of the semi-formal trance induction this is the first time that we've gone from slightly covert seeding of the idea of hypnosis into slightly more / trance kind of process and that's

where the concept here's what we're all doing our work together its place why it puts the unconscious mind on alert we're now doing some hypnotic work this is some responsibilities for you and of

course the rest of the experiences we will be talking about will be hypnotic in context of moving straight of the paragraph 7 paragraph 7 has some other interesting pieces the first thing is something we've

mentioned briefly in other cds which is whenever we talk about your unconscious that is as much an instruction as its description what i mean by that is this your unconscious is what my people think about well as a conscious mind in the

unconscious mind not a description it's also an instruction the terms of you are unconscious this is one of the reasons i talked about the unconscious mind rather than the subconscious mind it's a little

trick I picked up from milton erickson himself used to love the unconscious because he could turn your unconscious mind into instruction so use as well because it's a very nice little trick that can be used now we've also got

other embedded suggestions there for example the instructions to experience unlimited creativity experience they're unconscious mind etc of course you'll remember that in terms of a peek at formula that were using when our firmly

in the activation or resources state so using trance as the resource and also talking about unlimited creativity doing the work the unconscious mind etc we're going to use this general resource I'm going to pack it together into a simple

trigger that we can use later what does that trigger the trigger is just relax take it easy your unconscious mind knows what to do that trigger word just relax take it easy is going to be repeated constantly initially to create

the trigger to condition the trigger and then later on we'll come back to the same idea as a way of using that resource in the future as part of your learning to overcome any difficulties you might come across know so many times

we're using that phrase just relax take it easy happens over and over and over again notice again we're using different ideas in order to be able to stack as much meaning into that emotional trigger so we've used the process of trance to

stack the first few then about halfway through paragraph 7 we have this interesting phrase you don't have to plan your dreams do you now think about that that's again a frame it's a pre frame and kind of the

reframe the same time what you basically suggesting you're implying through that suggestion is that as you're dreaming comes naturally there's a great creative process inside that doesn't really require your

conscious attention it happens automatically in other words your unconscious mind is deeply creative and it will do all the work for you if you just relax and take it easy just notice how all that is

packed into one simple phrase the frame you don't have to plan your dreams to you it's simultaneously tracks universal experiences there's very few people in this world who actually bother playing their dreams

I'd say there's no one who's actually planned their dreams and a regular places at the same time is a frame because you look at the world in a particular way now looking at creativity is something automatic something that

happens by default when you stop trying and then that gives more importance all power to the phrase just relax take it easy that phrase that works on double level one on an intellectual level because you are now letting go from the

trying process and secondly on the experiential level because you spent the whole transaction at this point creating a nice pleasant feeling inside which is going to be encapsulated as an emotional trigger with those same words

so basically stacking up the meanings and the intensity of the emotional trigger by using various approaches there now the final thing that's included in paragraph 7 I find particular

really charming because i never plan to use it as an example of my own conscious mind deciding that is going to give you a few more pieces of the puzzle a bit more lesson than I had originally intended

you'll notice how the last few sentences are actually very poetic in their rhythm something fresh new to say or do if only you knew how easy this will be I think you'd agree just wait and see the ones you'll find inside this the theater

of your unconscious mind those are the closing words of that power notice again how those rhythms we talk about transfers before and poetry is a great way for rhythms to naturally establish themselves the unconscious mind is

deeply receptive to rhythms that's one of the reasons why poetry is something that can move people are very powerful way music even more so because music using multiple rhythms combined together to cut a very powerful emotional

experience so remember this the unconscious mind responds very powerfully to rhythms rhythms can be found in poetic construct just as in this example here but they also partner to naughty things that we talked about

all the way back on cd3 entitled hypnotic language foundations next let's look at paragraphs eight and nine on paragraph 8 the only real thing there is to notice again that we've used a bit of stacking realities there when we talk

about relax take it easy we just reusing the same trigger enjoy the show especially when you're in it notice from the actual punctuation that becomes a quote from the teacher but when you're listening to it first of all

it sounds like I'm actually saying that as part of relax take it easy enjoy the show so because we've suddenly switched reality is halfway through when I drag you into it especially when you're in it it becomes again a slight confusion so

whatever consciousness is leftover begins to be rounded down put more and more out of action paragraph nine is an interesting set of frame control basins highly on people's perceptions on personal history to fairy

tales most people know that fairy tales begin with a phrase a long long time ago in a country far far away that is the classical nature of fairytale the introduction introduction to them in

fact the whole Star Wars saga is built around that and using the same kind of language creates a future futuristic kind of fairytale will use the same language here and by talking about stories that happened a long long time

ago in a country far far away it alerts you unconscious mind stories happening fairytale and of course you'll go into the same kind of state that you were in when you were young listen to those stories which is more

that rat attention and that interest the next thing of interest that I want to point out within that paragraph is again an ambiguity we talked about various days now days has a double meaning you have the days and times of

the days of the week but also when your trance you could be said to be a bit of a daze an altered state of consciousness now that itself has been poured out very subtly by making what seemed like a bit of a mistake the sentence I used was if

they had had radios in that days he would have listened with fascination of course it should normally be in that in those days but because I've got the wrong pronoun that days it again alert your unconscious mind say something

funny is going on here pay attention and that then reinforces the later use of the workdays in the later paragraph on paragraph 10 we're taking the next step with that again we're talking about normal waking days

so again we're suggesting that hypnosis is something which is natural something which people are in a kind of trance everyday it's more a question of what transfer experience saying this is quite a metaphysical

point of view by the way which is also kind of the purpose of self-improvement which is to wake up more and more the next frame that we said here's a pre frame is quite interesting because of the tactic employed when we talk about

the women telling the stories for the other mind that's a very clear instruction that these stories are going to be for the unconscious mind but here's the interesting thing is it's an example of the seed and distract

technique that we talked about before why because as soon as we've talked about that we move straight up the next sentence about people gathering and listening like a little boy now that seeding of the idea and going straight

on like the normal content has continued through is one of the prime examples of the scene distract technique so that consciousness can't quite grasp onto it because it either analyzes that slight mistake that seems to have happened

earlier on and therefore miss the rest of the sentence all it comes on the rest of the story trying to keep up with everything that's going on and forget to analyze the statement hence it slips inside undisturbed now

we're also using now a couple of deep any suggestions for example the phrase inside fast asleep listening intently these are all instructions or for the hypnosis to become a little deeper a little bit more intense the only other

thing in paragraph 10 which I want you to take note of is we've started to introduce a new ambiguity which will become very important soon the ambiguity is the word you a you of course is a female sheep so we talk about the farmer

with his precious you the other application to that is that precious part of you in other words your unconscious mind the story of the golden Ram and ayso you its already alerted the unconscious mind this is not just an

allegory coming up in the wiser you is also something about your unconscious processes this in particular is deepened in the next paragraph paragraph eleven when we have a bit of a play on words going on and get a bit of

a confusion thing how could there be a w again we're using this ambiguity to construct the unconscious mind when we talk about these to use is a different kind of you to you and the story is the use in the

female sheep but a double to that is also you as in the unconscious mind listening right now so the wiser you is already created a construct to be understood as the unconscious now when we go into the story everything that the

wiser you represents will also represent the unconscious mind of course that big unity is there and later on we'll show you how we use that as an emotional trigger that will be quite useful in terms of the pcat formula

the only other things that will point out in paragraph eleven of courses other better suggestions which have been going on throughout for example the the boy often wondered about that but again is the use of reframing an idea where they

were pre framing now it's becoming like the wise old storyteller so we're picking up the original seed how do you master conversation gnosis how do u mass storage telling that was the original seed planted all the way back in the

first few paragraphs we're picking it up again so that the unconscious mind knows there's something about storytelling that was still doing here paragraph 12 again does a few things what I want to really brought drought

for you right now though is the direct instructions on how to draw wisdom especially how to use the stories that we talked about being wise a simple just listen to the story about a wiser you already were alerted the unconscious

that listening to the story will teach something about wisdom we talk about you really listen other words it would be emphasizing it now the final paragraph final sentence rather is the difference between what the story said what it

really meant that's important because you're creating a frame again we're teaching the unconscious mind how to receive bond to multiple layers of meaning in cases missed all the other subjects up

to this point we're alerting it for a fact that there is more to a communication than just a surface level of its meaning so dig below the surface look deeper find out more what's going on and we're

giving a very dire construction because we're about to come on to the actual allegory which is the fourth story in our particular sequence and the full story is important because it is much more about the structure than the

linguistic content was there are some nice examples of nothing language in the paragraphs 13 to 28 of the actual allegory the story of the golden Ram the wires are you the important thing about that is more

structure the archetypes the things are different figures represents and the way they interact with each other and in order to make sure that the unconscious mind pays attention to the structure as well as the language has been going on

we've got to make sure that we alerted to the fact that there is wisdom there and that you have to look between the Lions what is it was said but the meanings of those things have as well ok we're going to skip all the way

through to paragraph 29 now i'm gonna leave the bulk of the story of the golden Ram for you to analyze in terms of language and suggestion embedded inside that remember of course that in this particular part of sequence

I'm more concerned about structure an actual language content Paratore nine becomes interesting because it's the first set of suggestions in terms of transformational process that we're presenting you'll notice that all the 3

paragraph 29 30 31 are pretty much an exercise in frame control these are all things are saying look at the mind in this way look at things in this particular way each of those frames sets up one of the conditions you need in

order to become a great storyteller in other words to believe in the brilliance of the unconscious mind of all the memories and thoughts and sensations experiences you have stored inside accessing those experiences will make a

better storyteller or more spontaneous in any way any event that being more childlike unaffected keeping things simple and easy will actually make you better storyteller these are all frames of reference these

are all pre frames which are putting out there and to the extent that people buy into them without questioning then they'll make their life as a storyteller much easier i'll make the transition from a normal person into a great

storyteller with much greater ease and that after all is one of the purposes of the norfolk storyteller induction notice that we're pretty direct about this whole thing we spent a good 20 minutes now setting up trance work setting up

unconscious in responsiveness we're pretty much in the meat and potatoes of the hypnotic process in terms of the nested loop remember we finish this is now the bottom part of the curve of the first of

loops so this is where the trans processes happen this is the first set of transformations that you're creating and how you're creating them purely by setting frames so the power of direct suggestions is

often about the frames that are being set by them as by the suggestions of feel better do things differently so remember suggestions when their act can be in two directions one is relaxed feel comfortable etc number two is look at

the world and this way and then as a result the consequences from that will make your life easier and better you don't have to say what those consequences are because they'll be a natural follow-through from the frame

that you're setting so we need the next few paragraphs for you to analyze again on your own and will jump all the way through to paragraph 42 plus some other new things now of course on the way you've got the very same better

suggestions and frames being set for example the frame that reminds me of a story is being put in there purely to show you that are many different ways that you can create loops can segue from one way into another it's a very very

direct way of doing a Segway now the thing that I want to really point out to you on power 40 though is this phrase was surrounded by the hedges need some pruning this is going to become an important tag phrase a

thread that goes throughout the next piece the final piece of change work it becomes in essence a reality check you're constantly coming back to this idea of the hedges and then meeting pruning as a way of orienting the person

the same . over and over again because every time you come back that same . something will have changed inside them in other words various parts of the trance processes that will be using will have been used and have helped change

the person and because you coming back the same start . over and over again for coming back as a different person it's a bit like coming back home as a boy as a teenager as an addled as a married couple and there's an old person

again you're revisiting the same place but as a different person and therefore it has different meanings it's a great way for people to first of all reality check about whether at and secondly for them to take the new set of

learnings and apply to something concrete remember all these activation of resources the transformational stage is all about taking those resources are activated and applying them to something it must apply to something otherwise it

is no point having the resources activated because i'll just go away again offer some point when they apply to a very specific . however they take and then now things that used to cause problems now create solutions so we've

come at the point where we're setting the context for change some important changes were coming so we set the context for change we set the reality check for that repeated phrase the edges they need some pruning and then as we

come back that over and over again the new activated resources will constantly pile onto that particular point until it changes come full circle and completes now how do we activate resources well if we done this several times on

City 5 for example and emotional triggers you find all kinds of ways to do this remember the trans things that you develop back then we'll look at paragraph 41 what is that if not an exercise in going through

descriptions of trance themes in order to induce trance and induce the various kinds of resources that were talking about now in paragraph 42 and dishonest and 43 as well we're beginning to plant a whole bunch of seeds

these are the seeds of the resources that we're going to be using later on notice again we've got the opinion points of the need some pruning which begins it then later we'll come back to it but the moment were gathering

resources which weren't attached again the same reality check . that is being marked out by the phrase need some pruning now the other thing that progress 42 and 43 are doing at the same time is you are beginning the seed of a

memory search you're presenting the idea to the unconscious mind to go look through pleasant memories of the past in other words to go on a journey through its own experiences of the past and find pleasant experiences which will

now become the resources that will be using so we do it first of all by giving examples from someone else's life you know it snowball fights building igloos little mittens these are all slices of life which

obviously means so much to Martha and by analogy your unconscious mind starts looking for its own versions of the same kind of experiences the key word here is the beginning of paragraph 43 her emotions were deep now again this is a

pre frame you're basically telling the unconscious mind what kind of experiences to find in other words deeply emotional experiences then that's followed immediately by the instructions notice the structure we have had the

seeding of the actual idea which is the memory recall we have to hold it in the sons of framing your kind of memories to pay attention to the deeper emotions and now we're talking about remembering from the past pleasant experiences so we're

getting creamed recently direct is a very direct instruction almost to the unconscious mind through the embedded suggestion to go ahead and find pleasant memories to recall various memories now we're

activating that memory resources because soon we'll be using that in order to change the future and we're against eating the idea of changing the future halfway through power of 43 really remember the past or think about the

future so again we're creating a paradigm thinking about the past will lead to something in the future that's the seeding of the idea which will come through on again then we actually start the search the starting the search is

talking about the other experiences that Martha remembers so we see that the ideas now but now we're going to do a kind of a parallel processing we talk about Christmas laughing together snow outside all these things are experiences

that are going to happen in parallel process to something that you experience yourself so that's also voting from you similar memories now those of you who are very sharp will have noticed that we're not just bringing out pleasant

experiences we're also taking potentially unpleasant experiences and recalling them in a pleasant way in a safe way for example we're talking about the reins and the storms but we're still safe and drawing

here so just that in here is as a double entendre for inside the unconscious inside the safe protection of the trans process in other words it's okay to remember stormy times in other words unpleasant experiences because whilst in

a trance you're safe and they're your dry your unaffected by them so this again create a seed of the idea that you can think of unpleasant things was being safely protected by the transfer you happen to be in so now the unconscious

mind has the primary directive to find pleasant experiences for resources but also should you come across any unpleasant experiences in the process you're still inform them safely because the

instructions are very clear was unpleasant things happen outside of you inside you can be safe protected now the reason that's particularly important is not just because it takes care of any potentially negative memories that you

may come across it also plans to suggestion the seed of the idea which will be used later on when you start getting rid of unpleasant things when you get rid of unpleasant memories will be safely protected from them by the

very chance experience and this is the very first time that the idea that you can do this has actually been seated inside of you so now that you've covered all the resources from paragraph 44 we begin the

process of applying to something the reality test edges need some pruning has been brought back again right at the peak all the resources you can cut gathering so we're really beginning the process of creating some kind of change

their of course we gather some more resources the freshest of the air being one with nature etc we said another set of emotional triggers with the idea of always take time to smell the roses notice we'll come back to that air again

and then we come back yet again on paragraph 45 to the hedges any pruning so we constantly cycling through these processes now let's give throughput progress 45 through 48 for a bit because those are

just direct instructions for a therapeutic process and we talked about that a little bit earlier on now paragraph 48 is interesting because it essentially hypnotic equivalent of marking time you need to get at the

unconscious mind some time to process these instructions to make the piles put them to side get rid of some good of others now while you're doing that you're actually using this language this description of what Martha is doing as a

way of buying time describing the unconscious mind okay you go off and do this process and conscious mind you're going to have this parallel process here and that's just a metaphor was really happening inside the other person

paragraph 50 continues on with the same process over now we adding a new process the saying goodbye process again notice how is setting a new emotional trigger the words just say goodbye which will be used again later

on finally in paragraph 52 we give the unconscious mind another set of instructions on how to deal with changes in other words how do not take the problems person anymore is there hedges

not her hedges and the word these are all problems not new problems be able to make that distinction tells you unconscious mind now you've made appt load process complete now you've finished with it

ok now we've got the point where all the loops are starting to close paragraph 58 now to access to a future memory process where all the emotional triggers the trigger suggestions that we've been building up throughout these processors

are put together to create an anticipation of a brighter future the trigger suggestions remember are just relax take it easy trust your unconscious is why you always take time to smell the roses just say goodbye

whenever you need something it will be there these are all the trigger suggestions have painstakingly taken to build up throughout the process of pretty much the last hour or so of storytelling and now they released like

a flood of positive experiences that lead into the future so although we're strictly speaking past the transformation state of the pcat formula on the way out is always nice to create a set of future memories where

all the good work you've been doing gets propounded and grown and build up on as a days in the weeks and months go by so now it's finally time for us to finish the transversus no notice that from roughly paragraph 58 onwards the

tonalities have changed from the very transit authorities to increasingly normal conversation normal every tonne tonalities this gets developed even further on paragraph 59 with the tonality goes from very

hypnotic all increasingly less hypnotic to totally awake in fact very energetic we're also using the embedded suggestions in order to wake them up what other better suggestion wake-up call wake up all over in other words the

whole process now all over put everything together and be on the outside and our last one again is an ambiguity because I'm actually saying what sounds like when you go through the insecurity leading me on the outside but

I've purposely mispronounced it just like those days that days to sound like be on the outside which again gives young conscious mind more of an impetus to come back out finally we come through the whole

suggestions of standing up stretching etc just a way to make sure you finish the whole process and already get on with your day congratulations now come to the end of this CD you finally got the secrets that

allows your break they have not exploit Ellis code you have noticed that so much has been packed into this one example called the hypnotic story induction of all the things that you've learned because hypnosis is something that

allows you to layer so many different things together now just because I spend an hour doing a whole bunch of stories doesn't mean that that's how you have to do it this is just an example for your learning and education and enjoyment of

that in normal everyday conversations of course you'll be able to use conversation of Knossos in a much more slice by slice sort of way is up to you to judge just how far you need to go given the context that you're in all

that matters right now is that you go back and listen to the story again this time with the new insights as to other words are and what they're designed to do and then with those inside you really have the keys to just relax and enjoy

mastering conversational hypnosis

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